Communication Styles Research Paper Example

Communication Styles Paper Great communication styles have a very high level on self-awareness. Understanding communication styles will help you have good impressions on others. What I would like to talk about are the different types of communication and how they apply to my life, career, and education. Everyone may have a different perspective on my topic communication styles but, is very important to know them. Types of Communication Styles There are different types of communication styles. Some common styles are timid, apologetic, empathic, assertive, aggressive, passive-aggressive, indirect, humorous, intellectual, passionate, vague, clear, provocative, respectful, self-centered, quiet, reserved, loud, truthful, dishonest, unfocused, irrelevant, pessimistic, idealistic, intellectual, and avoidant. The communication styles that I am focusing on are aggressive, passive-aggressive, and assertive. Every adult and child develops a unique communication style. Each style has unique personal and social impacts. Focus on Communication Styles The focus on the different communication styles are how it is communicated to the listeners. Communication styles also have can have an impact on others. Knowing your own communication styles will help you succeed in your life, career, and education. I think recognizing the different styles can help you become a better communicator and also helps build better relationships with others. Experts Knowledge Experts state that if you know and understand your communication style then you will have a better understanding on how others may observe you. Recognizing someone’s communication styles will make them feel we are listening to them and are focusing on their desires. Experts also talk about the meanings of the different communication styles and give great advice on each one. Observing We will write a custom essay sample on Communication Styles specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Communication Styles specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Communication Styles specifically for you FOR ONLY $16.38 $13.9/page Hire Writer When observing someone we need not to only look at their nonverbal behaviors or kinesics. We need to look at their nonverbal language such as; eye contact, facial expressions, appearance, posture, and proximity. By observing the patient’s body language it will help use better understand their nonverbal behaviors. Aggressive Communication Aggressive communication also known as argumentative, is a method of expressing needs and desires that do not take into account of others. Aggressive communicators are usually hostile, angry, frustrated, and impatient. Argumentative communication is considered constructive because these arguments are content focused versus person focused (Anderson, 1996). Aggressive communicators like to put down others, bossy, violates peoples space, and don’t like to show appreciation. Aggressive communicators try to embarrass others, humiliate others, makes others depressed, and also make them feel hopelessness. Aggressive communicators are verbally and physically abusive. It’s never good to be an aggressive communicator because it can hurt others. The only time aggressive communication is essential is when a decision has to be made fast, when you know your tight and the fact is crucial or during emergencies. Assertive Communication Assertive communication involves respect for the boundaries of oneself and others. Assertive communication is a desirable form of social communication. Assertive communication is more persuasive or influential than aggressive communication. Assertive communicators express their feelings, know their rights, they control their anger in a mannerly way, they compromise with others, and also have good self-esteem. Assertive style is the one to go for because it’s non-judgmental and also has a positive attitude. Passive Communication Passive communication is a style where they avoid expressing their feelings, protecting their rights, and identifying and meeting their needs. Passive aggressive communicators have very low self-esteem. They believe that they are not worth anything. Passive communicators allow things to build up inside them and are unaware of the buildup. When passive communicators reach their high tolerance they blow up. After they blow up they feel guilt, shame, confusion and return to being passive. College Experience When I started college at Bryant Stratton I was not aware of the different communication styles. With the different ideas on communication styles I will be able to identify my own communication styles. While attending Bryant Stratton I have learned the fundamental concepts of communication styles. I will use the various communication styles as I further along in my education at Bryant Stratton and will communicate more effectively. Career Aspirations When I begin my job in the health care field I know communication styles will be used daily and are very important. Understanding patient’s communication styles will help me be successful when having a conversation with them. I will be able to better understand their needs. Assertive communication is the style that I will use for my career, and education. Communicating assertively will fulfill my career aspirations. It will be useful in interviews, presentations, and also with public speaking. When using assertive communication others will feel comfortable and will have respect for my honesty. Life In my life the need to communicate clearly is immense. Will use communication styles on a daily basis. Knowing the different types of communication and knowing how to approach others will help me be successful. It’s important to remember that I’m not responsible for how others interpret my messages, but it is my responsibility to make sure that I deliver my words as appropriately and clearly as I can. If I want to be understood, I have to understand how to communicate effectively. Conclusion Communication styles will help me understand others. Communication styles can have impact on others. The main points of this paper are the types of communication styles such as aggressive, passive, and assertive and understanding them to succeed in life, career and education. Communication styles will help me be successful in the future. The more experience I have the more successful I will be. Reflection My reflection on writing this paper was helpful in learning the different communication styles. By writing this paper it also helped me learn about the APA formats and how to search for scholarly references in the virtual library. Next time I approach a paper like this it should be a lot easier since I know how to use the virtual library and also APA format.

East Coast vs West Coast Rap essays

East Coast vs West Coast Rap essays The 1980s was the decade when hip hop began to really take off and gain popularity throughout the United States. Hip hop music, which really started to develop during the 1970s in New York City, began filling the streets and subways, and taking over clubs throughout the major cities. Hip hop started on the East Coast, and thats where it stayed throughout much of the 80s. However, towards the end of the decade a new style of hip hop began developing out West. West Coast rap brought a new flare and style to the hip hop world. Two distinct styles of hip hop started to take shape and in a few short years, East Coast rap and West Coast rap would collide and develop an intense rivalry that ultimately ended in bloodshed. Hip hop during much of the 1980s was mostly created by artists on the East Coast. Raps most important early Old School artists like Grandmaster Flash, Afrika Bambaataa, Kurtis Blow, and Run DMC were based in New York. East Coast MCs often prided themselves for their aggressive beats and distinct lyrics, from growing up in the ghetto to political views on the world. East Coast artists dominated the 80s, but little did they know that a new style of hip hop was slowly gathering momentum on the other side of the country. As the 1980s came to a close, the spotlight shifted west where a West Coast style, which could be described as hard-hitting, if your face, and lyrically alternating between violent profanity and angry social commentary, started to develop. In 1988, NWA (Niggaz With Attitude) released Straight Outta Compton. NWA was the first to incorporate gangsta imagery into their lyrics and define Gangsta Rap. Songs from the album generated an extraordinary amount of controversy for their violent attitudes and inspired protests from a number of organizations, including the FBI. However, attempts to censor gangsta rap only served to publicize the music and make it more attrac...

Analysis on Antigone Essay Example | Topics and Well Written Essays - 1500 words

Analysis on Antigone - Essay Example The issue of burial would change from Polynieces being left out for the carrion, which would be illegal, to being buried anonymously out in the woods and without a memorial. An interesting twist might be to make the organized crime family Japanese, a story based upon the Yakuza rather than the more commonly known organized crime structure of the Italian mob. The setting of the play is justified because of the familial themes that are similar in both of the genres. The Greek setting is based upon royal familial ties and the need for both legitimacy in Creon’s authority and a conflict in which Antigone must defy his decision. The character interactions in the play by Sophocles are defined by their ties within a family and this makes the transition to a setting in which organized crime is involved have a strong potential. The genre of organized crime is based upon the ‘family’, thus the line of succession is a part of their power structure. That the role of Creon wou ld be in jeopardy of losing his place would also play nicely in the organized crime genre because although family is important, it is not the only criteria for establishing power. The son of an organized crime boss or the brother is not necessarily in line to inherit the control of the syndicate. The misogyny in organized crime can also be translated from the Greek. In the literary genre of organized crime stories women typically do not have a great deal of power and are more often portrayed as victims. Women in Japanese society have a tradition of being submissive, thus the nature of Antigone would have the same meaning if translated into a modern context. She is both young and female, thus her opinion would not be taken into consideration similar to the way it was not taken into consideration in the Greek version until she acted. Although modern Japanese women have more power than in the past, the organized crime syndicate of the Yakuza is based upon lower socio-economic male memb ers of the Japanese society who are disenfranchised and find a brotherhood with the Yakuza gangs. It is typically male oriented (Howard, 2011). The setting of Japan in the environment of the Yakuza means that male dominance and family importance both remain important themes. Generation gaps in belief systems can be used to show the older generational beliefs in male dominance in conflict with female assertions of power from a feminist perspective. The central issue of funeral can be translated between an anonymous burial of Polyneices in the woods instead of the customary cremation with honor. Characters The main characters of the play are Antigone, Haemon, Creon, and Ismene. In addition, the names of Polynieces and Eteocles would have to be changed as well. Antigone would become Aneko, which means older sister. This gives her a familial designation which also supports a sense of her wisdom. While Antigone means â€Å"against offspring,† the familial tie is reinforced through the use of the name Aneko (Behind the Name, 2012). Ismene would be changed to Junko, which means â€Å"child of obedience,† relating to her reluctance to go against the will of Creon. Creon would be named Eito, meaning a â€Å"prosperous person† designating that he is wealthy as he has taken control of the organized crime family (Baby Names World, 2012). Haemon can be changed to the name Hansuke which is translated to mean â€Å"helpful friend.† Polynieces is changed to Ryoji which is translates to â€Å"

Banquo and King Hamlet the friendly ghosts Essay

Banquo and King Hamlet the friendly ghosts - Essay Example In both Hamlet and Macbeth, Shakespeare uses the supernatural element of ghosts to build his plot by making it more dramatic, and to resolve the play’s central conflict. In Hamlet the ghost is first seen by Horatio who interprets its appearance as a warning to Denmark of an impending threat. When it appears again, Horatio confronts it but it vanishes without uttering a word. When Hamlet is informed of visitations by a ghost that looks like his father he vows to confront it. When the ghost reappears, Hamlet calls out asking what its purpose is but it only beckons him to follow which he does despite Horatio and Marcello’s efforts to stop him. It identifies itself as the spirit of Hamlet’s father: The ghost informs Hamlet that Claudius, who is his uncle and currently his stepfather, is the murderer. This infuriates hamlet significantly enough to desire for vengeance. However, the ghost reminds him to be gentle with his mother and leave her judgment to God. The ghost commands Hamlet to avenge his father’s death which Hamlet is at first unable to do prompting the ghost to appear to him again in his mother’s boudoir. The ghost reproaches Hamlet for not carrying out its orders about avenging his father’s murder stating, â€Å"Do not forget. This visitation, Is but to whet thy almost blunted purpose† (3.4.101). Scared of the witches’ prophesy about one of Banquo’s sons becoming king, Macbeth sends killers to murder Banquo in the play Macbeth. The witches had prophesied to Banquo that, â€Å"Thou shalt get kings, though thou be none† (1.3.67). Banquo is murdered but his ghost later appears while Macbeth is hosting a banquet and quietly sits next to him without uttering a word. The ghost’s face is drenched in blood and covered with cuts all over. It is a terrifying sight only visible to Macbeth. It is invisible to other people in the feast. It has been argued that the since the ghost was only visible to

Crime data comparison Essay Example | Topics and Well Written Essays - 500 words

Crime data comparison - Essay Example This is evident from the analysis. In every 1,877 persons there is a rape case Atlanta. In Dallas for every 2,840 people there is a rape case. For both Metropolitan areas of Atlanta and Dallas, the number of occurrences known to police varies. In Atlanta there is a total 1,704 cases reported to the police while Dallas has a total of 2,036 cases reported to the police. In essence the city of Dallas had more forcible rape of 665 as compared to Atlanta's rate of 171. The forcible rape rates for Atlanta is 171 cases while Dallas accounts to 665.In essence for 2,840 people in Atlanta there is a reported forcible rape case. In Dallas for 1,877 people there is reported forced rape case. Secondly, the stringent laws that have been enacted to curb rape cases as well as the activeness of various law enforcing agencies is another reason why there is a difference in these rape rates. Some areas might be so strict in curbing the crime while others have flexibility. Another difference is as a result of age. The number of adults or youth in an area is a factor that determines rape. An area dominated by the youth is highly vulnerable for forced rape rates as compared to an area of the old people. Finally eating habits and dressing code is also a factor

Naturalism in Sister Carrie

Naturalism in Sister Carrie There was much debate to whether Dreiser was a naturalist after the model of Zola. But if this denomination is reflected by the acceptance of the sordid side of life and a more faithful registration of personal experience, then it can be a characteristic of his work. He was an objective realist who remotely brought together his facts but at the same time he was more. ( Spiller et all, 1963: 1039) In the case of Dreisers Sister Carrie a novel that has been repeatedly classified in separate accounts as a work of literary realism and literary naturalism the exact opposite seems to hold true. Featuring elements of two of the most prominent literary movements of the time in which it was written, the very consistency of Sister Carrie seems to be built on the combination of discrepant parts. Dreiser attains such combinatorial proficiency by operating with a rather distinct method of characterization, correlating the traits of particular characters (primarily Carrie) with a variety of forms of imagery employed to describe the external circumstances that affect them. By joining realistic descriptions with naturalistic intentions in dealing with his characters, Dreiser is able to connect the vastness between literary genres, not only overcoming literary divisions. ( Decker, 1997, 2) Being the subject of various critics, Dreiser stated his intention with Sister Carrie in one interview in June 1907: Here is a book that is close to life. It is intended not as a piece of literary craftsmanship, but as a picture of conditions done as simply and effectively as the English language will permit. To set up and criticize me for saying vest instead of waistcoat, to talk about my splitting the infinitive and using vulgar commonplaces here and there, when the tragedy of a mans life is depicted, is silly ( qtd. In Pizer, 1991: 13)   Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚   Sister Carrie is often referred to as a pattern of realist literature because of its very down-to-earth descriptive technique. By presenting a behind-the-scenes view of daily life in Chicago and New York often from the two very different perspectives of Carrie and Hurstwood Dreiser illustrates what actually happens in places the reader might know only tangentially. Such objectivity permitted Dreiser to concentrate on the fundamental qualities of ordinary human experience while at the same time representing larger sociocultural notions and values. A context as this serves to provide the novel in general with two of its most characteristic themes: the individual seeking his fortune in the big city and perhaps only achieving tragic failure, so often described by the French and American Realists; and, frequently in association with this, the milieu studies of such writers as Dreiser (qtd. in Decker, 1997: ). Integrating accurate description s of everyday experience in a collection of apparently vast American settings, the fiction of Theodore Dreiser has thus been easily recognized in light of realist descriptive technique (Phillips 572).   Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚   Literary naturalism developed out of realism and Darwins biological theories Those in favour of a naturalistic approach to and interpretation of life concentrated on depicting the social environment and dwelt particularly on its deficiencies and on the shortcomings of human beings. The naturalists vision of the estate of man tended to be subjective and was very often somber (Naturalism 537-8). Naturalist authors refocused the objective of the realist novel by examining the unintelligible influences of biology and culture on man to expose the weakness of the human condition. By detecting the impossibility of human understanding, naturalist authors depicted experience as a assemblage of events generated by innate cultural and biological inheritances. Rather than trying to bring to light and describe the nature of specific social and cultural truths, naturalists proved readers that the facts themselves were in reality driven by grea ter and often incomprehensible sociobiological forces (qtd. in Decker, 1997, 2)).   Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚   Evocative of a rather deterministic message, Sister Carrie has also been often referred to as a work of literary naturalism (qtd in Decker,). In this view, the city settings in which the plot develops are means for the various social and biological forces that drive the action of this novel. Both Carrie and Hurstwood are stimulated by external and internal forces that are beyond their individual powers of control. The descriptions of the characters, then in particular those involving external appearances and settings to internal traits illustrate how deeply these individuals are influenced by factors inexplicable to them. The original message of Sister Carrie the futility and mystery of life-guiding forces considering the intriguing vagaries of fortune is therefore a readily naturalistic one (Walcutt 266-9).   Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚   Even though literary realism and naturalism are often seen as different and discordant modes of representation in the American literary canon, the movements in theme as well as in description are not mutually absolute. The appearance of American naturalism in the late 19th century did not mark any ultimate rupture with literary realism. In fact, some critics see naturalism as a logical extension of realism, building upon the knowledge of the time and expressing thought in an updated fashion (qtd. in Decker). Bearing such ideas in mind, it would seem deductively unsupported to assume that certain authors writing at the turn of the 20th century did not exploit particular aspects of divergent literary movements to reflect overarching ideologies of the time.   Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚   Writing in 1900, Dreiser certainly would have been aware of the stylistic elements of both literary movements. With the tools of each of these modes of address at his disposal, Dreiser was able to portray realistic settings and descriptions while maintaining an underlying naturalistic message one revealing the powerlessness of the individual in a morally confused society. The chief accomplishment of such a combination that of literary realism and naturalism in Sister Carrie occurs through the correlation of Carries physical appearance with what one might consider inherent personality traits.   Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚   The various realistic character descriptions in Sister Carrie render a very naturalistic message by their correlation with internal traits and motivations. Although the novel continually and quite dispassionately observes the conditions of ordinary life, Sister Carrie also centers the attention on the total absence of ethical plot conflict (the presence of which would be notable in a strictly realist novel). Even if its motion is depicted realistically, Sister Carrie is not reliant on determined acts by any of its main characters (Walcutt 270-2). One of the greatest sources of such external / internal conflict occurs in repeated instances of sea imagery within the novels context. This is particularly relevant to the initial characterization of Carrie.   Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚   With the wane of the afternoon went her hopes, her courage, and her strength. On every hand, to her fatigued senses, the great business portion grew larger, harder, more stolid in its indifferenceà ¢Ã¢â€š ¬Ã‚ ¦. Men and women hurried by in long shifting lines. She felt the flow of the tide of effort and interest felt her own helplessness without quite realizing the wisp of the tide that she was (21). The novel begins with Carrie finding herself in an unfamiliar and unstable environment, she feels that she is utterly subject to a force greater than that of her own personal agency. Carries job-seeking efforts are described is extremely realistic ones. The circumstances of trying to obtain a working position in a low social place are faithfully portrayed, including their potential effects such a hardship might have on the individual psyche (.Decker) Yet, when one judges the primary motivation in this quote, it becomes obvious that there is a naturalistic message emphasizing the abovementioned realistic descriptions. This message of whose implications Carrie is not aware is one that paints man as a helpless organism in a sea of forces above and beyond his control and understanding. Finding a job seen as an internal motivation, one marked by realistic description is merged with an external nature that evades any decisive human control. A debate on internal motivation might be inte rpreted as one of the ways in which Dreiser combines realistic description with naturalistic intention in order to triumph over the strict difference between literary realism and naturalism.   Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Such correspondence between realistic descriptions and naturalistic intention can also be found in the concrete characterization of Carrie. Dreiser frequently compares Carries physical and mental composition, utilizing the forces of literary realism to convey actual descriptions while employing naturalistic techniques to provide an underlying message.   Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚   Caroline, or Sister Carrie, as she had been half affectionately termed by the family, was possessed of a mind rudimentary in its power of observation and analysis. Warm with the fancies of youth, pretty with the insipid prettiness of the formative period, possessed of a figure promising eventual shapeliness and an eye alight with certain native intelligence (Dreiser 2). This way, Carrie is made a preface, her character is depicted in two ways: first, through the description of her mental traits, and second, through the description of her physical appearance. By the realistic portrayal of Carries looks, Dreiser hints at who Carrie is. By then placing both physical and mental characteristics within the bounds of a single phrase, Dreiser makes a very naturalistic argument. This claim that the forces of biology have not contoured the way Carrie looks but also the way she thinks and acts is one that strengthens the concept of the frailty of human understanding. This is significant considering the overall attitude to Sister Carrie can be regarded as a reflection of biological determinism convoyed by a conviction that the course of narrated events has neither order nor direct accessibility to mans intellect (Walcutt 277). By revealing the reader that Carries mental qualities are established exclusively on features beyond her control, Dreiser formulates t he naturalistic reason that human agency is driven by a greater force than that of the consideration of individual characters as well as novels final motion. In this way, the early presentation of Carries personality combines realistic description with naturalistic meaning that of biological stimulus and mans limited discernment to exceed the bounds of literary genre.   Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  moreover,  Dreiser employs similar physical descriptions to show how Carries mental and emotional traits are viewed by others in this novel.   Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  He looked at her pretty face and it vivified his mental resources. She was a sweet little mortal to him there was not doubt of that. She seemed to have some power back of her actions. She was not like the common run of store-girls. She wasnt silly (53). By this quote, Dreiser familiarizes his reader with Drouets perspective, who sees Carrie from the perspective of her beauty. By realistically comparing her physical appearance with the common run of store-girls,(53) Owing to his vast knowledge with women Drouet concludes that Carrie is not only more physically attractive than the average-looking woman of the period, but also gifted with more agency. This quote speaks about the realistic description of Carries physical qualities to the sphere of the naturalistic by disclosing the biological basis of mental traits. The description of Carries physical traits in this passage suggests the tone of naturalism through realistic depiction, demonstrating that Carries personality is nothing other than an increase of her biological composition. By presenting Carrie through the eyes of a knower (Drouet), Dreiser shows that even other individuals morally corrupted society in where the narrative is set, are blinded by the expression of physical tra its. Dreiser therefore mingles realistic descriptions of Carrie with a naturalistic implication to show the limitations of rigorously defining literary realism and naturalism.   Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Dreiser also conveys the combination of literary realism with naturalism by directly addressing physical influences on mental and emotional qualities.   Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚   To the untraveled, territory other than their own familiar hearth is invariably fascinating. Next to love, it is the one thing which solaces and delights. Things new are too important to be neglected, and mind, which is a mere reflection of sensory impressions, succumbs to the flood of objects (217). This quote is meant directly for the reader. In Dreisers fiction, there is often an explicit correlation between the narrator and the author himself. By temporarily assuming the role of the narrator, Dreiser is able to insert his own personal opinions directly into the text without assuming an overly authoritative tone (qtd in Decker, 6). By addressing the reader directly, Dreiser is able to express his naturalistic message bluntly by making the most of realistic descriptions, thus bridging the disparity between literary realism and literary naturalism.   Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  A final example that demonstrates the overlap between literary realism and naturalism in Dreisers Sister Carrie occurs at the novels conclusion. At this point in the plots progression, the relationship between realistic description and naturalistic intent has become fairly evident. The combination of literary movements is further enhanced when Dreiser directly attributes Carries success as an actress (based on naturalistic motivation) to the acknowledgment of her very realistically described physical beauty.   Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚   Now because Carrie was pretty, the gentlemen who made up the advance illustrations of shows about to appear for the Sunday papers selected Carries photo along with others to illustrate the announcement. Because she was very pretty, they gave it excellent space and drew scrolls around it. At the same time there seemed very little in her part. It consisted of standing around in all sorts of scenes, a silent little Quakeress. Carrie was the chief feature of the play. The audience, the more it studied her, the more it indicated its delight. Every other feature paled beside the quaint, teasing, delightful atmosphere which Carrie contributed while on stage (Dreiser 351-3).   Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚   At the novels conclusion, Dreiser shows the reader that Carrie has risen above her former station in life one initially marked by a feeling of almost overwhelming helplessness. Dreiser also points out, however, that Carrie has achieved her position as a well-known actress only through others recognition of her physical beauty a trait that was marked as causing her heightened mental and emotional prowess from the novels very inception. Carries part as an actress consists only of standing around and frowning acting which fails to lend itself to her potential mental fortitude. In effect, then, Carrie has risen above and beyond her initial rank in life by ends outside her control and understanding. By realistically describing the announcement of her part in the papers as well as the actual role itself, Dreiser shows the reader how Carrie has advanced naturalistically on the basis of her physical attractiveness to members of the o pposite sex. In this conclusion, then, Dreiser utilizes realistic descriptions in order to convey the naturalistic notion that it is only Carries beauty that contributes to her inner being and her ultimate success. With this idea in mind, Dreiser definitively binds realistic description to the naturalistic notion of helplessness and misunderstanding to dispel the boundaries between literary movements.   Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Ãƒâ€šÃ‚  Although traditionally referenced as a work of either strict literary realism or naturalism, Theodore Dreisers Sister Carrie is a novel that incorporates certain aspects of each of these movements to overcome the boundary seemingly inherent between the two. Through the pervasive combination of realistic description with the naturalistic dismissal of individual power and understanding, Dreiser, writing at the turn of the 20th century, bridges the expanse between these two literary movements. Utilizing realistic descriptions of internal motivations and physical descriptions, Dreiser gives the reader an accurate sense of who Carrie is and what her world is like. Dreiser also conveys a naturalistic message in his novel one marked by the misunderstanding of a morally oblivious society regarding various underlying behavior-governing forces. By frequently comparing Carries physical appearance to her emotional and mental composi tion, Dreiser shows the reader that seemingly personal qualities are based on strictly sociobiological foundations. By utilizing realistic descriptions of Carries physical attributes to contribute to his naturalistic message, Dreiser bridges the gap between literary realism and naturalism and proves that strict holistic coherence need not be based on readily compatible parts.

Institutional Racism in the United States :: Sociology Racism Prejudice Essays

The history of the United States is one of duality.   In the words of the Declaration of Independence, our nation was founded on the principles of equality in life, liberty and the pursuit of happiness. Yet, long before the founders of the newly declared state met in Philadelphia to espouse the virtues of self-determination and freedom that would dubiously provide a basis for a secessionary war, those same virtues were trampled upon and swept away with little regard.   Beneath the shining beacon of freedom that signaled the formation of the United States of America was a shadow of deception and duplicity that was essential in creating the state. The HSS 280 class lexicon defines duality as â€Å"a social system that results from a worldview which accepts inherent contradictions as reasonable because this is to the believer's benefit.† The early years of what would become the United States was characterized by a system of duality that subjugated and exterminated peoples for the benefit of the oppressors. This pattern of duality, interwoven into our culture, has created an dangerously racialized society.   From the first moment a colonist landed on these shores, truths that were â€Å"self-evident† were contingent on subjective â€Å"interpretation.†Ã‚   This discretionary application of rights and freedoms is the foundation upon which our racially stratified system operates on.      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   English colonists, Africans, and Native Americans comprised the early clash of three peoples. Essentially economic interests, and namely capitalism, provided the impetus for the relationships that developed between the English colonists, the Africans, and the Native Americans. The colonialization of North American by the British was essentially an economic crusade.   The emergence of capitalism and the rise of trade throughout the 16th century provided the British with a blueprint to expand its economic and political sphere.   The Americas provided the British with extensive natural resources, resources that the agrarian-unfriendly British isles could not supply for its growing empire.      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   When Britons arrived in North America, the indigenous population posed an economic dilemma to the colonists.   The Native Americans were settled on the land that the British colonists needed to expand their economic capacity.   To provide a justificatory framework for the expulsion of Native Americans off their land, the English colonists created a ideology that suited their current needs.      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   The attitude of Anglos toward the Native Americans began as one of ambivalence and reliance.   When the English first arrived in North America, they needed the Indians to survive the unfamiliar land and harsh weather.   Once the English became acclimated to their surroundings and realized that the Indians were living on valuable land, it was only a matter of time before guns and